Professional Audio Services
Location Sound, Boom Operating,
Post-Production Mixing, Dialogue Editing
What I Bring To Set
Clean Location Sound
I use professional gear that meets industry standards. My kit includes a bundle of boom microphones, wireless microphones, timecode, and audio expendables.
Set Etiquette & Professionalism
I understand the importance of professionalism, doing your part, and being respectful of others.
Actor Cooperation
As an actor myself, I understand the preparation and hard work actors put into their role before the director calls "action". I do my part to ensure that all talents feel comfortable and taken care of when working with the audio department.
My Experience & Credentials
Hellhounds
Type: Feature Film
Director: Robert Conway
The Darkening Hour
Type: Feature Film
Director: Tony Severe
Anarchy Radio
Type: Feature Film
Director: Gilles Gambino
Charity
Type: Short Film
Director: Celeste Luccitti
The Zip-Up Man
Type: Short Film
Director: Celeste Luccitti
Ghost Town
Type: Feature Film
Director: Owen Conway
Fortis Femina
Type: Feature Film
Director: Mitesh Patel
Buried Alive
Type: Feature Film
Director: Robert Conway
Valley Wood
Type: Short Films
Director: Matthew Dearing
24 Hours
Type: Short Film
Director: Celeste Luccitti
Gear List
Zoom F6 Field Mixer
Records six inputs of multitrack audio in 24-bit and 32-bit. Has the ability to incorporate time code for audio/video synchronization.
Deity Theos Wireless
This is a digital wireless audio system that works with the UHF spectrum of wireless audio frequencies.
Sennheiser MKH 50
This supercardioid microphone is an industry standard piece of gold for recording indoor and outside scenes with heavy dialogue between multiple characters.
Deity Timecode
Whether you're recording in 23.98, 24, 29.97, or 30 frames per second, my timecode setup has got you covered for audio & video synchronization.
Sennheiser MKH 416
This shotgun microphone is an industry standard work of art that is highly well known in the film and television industry for delivering flawless audio quality.
K-Tek Boom Pole
I use a lengthy aluminum boom pole that is designed and manufactured by K-Tek. They're a boom pole manufacturing company that's been around since 1996 and continues to make quality boom poles for the film and television industry.
"Jeffrey is a great talent, a true professional and a joy to work with. He's been my sound recordist on my last three films and an actor in one. He is an asset to any production."
“Jeffrey is an asset to have on any set. His ability to adapt to any project, regardless of the scale, while maintaining professional attention to detail in his work is the reason he is my number one choice for audio."
“Our productions tend to break all the conventional rules - whether it's background noise, AZ, or any other impossible scenario - Jeffrey not only delivers, he somehow find a way to exceed expectations. He's our trusted - go to - #1 choice for quality sound. Highly recommend."
Josh Deener
“I've never worked with a more polite, professional, dedicated and dependable audio engineer than Jeff! I never have to worry about the sound quality of my productions with Jeff at the controls!"
Why Sound Matters
Sound is a key ingredient in how today's movies are produced and finished. Starting from principle photography on location, to the post-production workflow in the editing room. Without quality and transparent sound, the final product is worthless.
To me, sound is one of the greater assets to any production set. It's the foundation of what brings that audience into a movie, commercial, documentary, or television show. The days of silent films are behind us and it's important to always hire an audio professional who understands the workflow of production sets and takes the work seriously.
